It appears that she just lives through her stories with her men. At the closing of the drama she claims that she likes to keep growing without looking back. Yet as I see it, she didn't grow, her men did: 國棟 once gave up his lover for his career, and eventually figured out his woman was more important. 協文 over time became more reasonable as an ex-husband and more functional a father.
As well this drama doesn't work out well as a manifestation of feminism. Rose is talented and is from a good family for sure, yet there's nothing truly unusual about this, so to speak. What makes her unusual is only her beauty and she moves gracefully through life much due to this. Yet, this totally undermines the idea of feminism.
Her brother 振華 and 蘇蘇 form a more interesting couple and have a more meaningful story to offer.
In my opinions,
《夢》: 8.0
《風》: 9.0
《玫瑰》: 4.0
It needs to be said again that I watched 《玫瑰》 with a lot of fast forwarding, hence my view might not be fair.
https://mp.weixin.qq.com/s/2OCuyU95YHaZndolxa_iow
摘一些句子，每个都提供了争议讨论的视角
“失恋事小，失业事大”
“一切处之泰然，风度极佳”，
“闻君有两意，故来相决绝”
大张旗鼓地离开都是试探，真正走的那一刻连关门声都很小。正应了亦舒最广为流传的那句“做人，最重要是姿态好看”。
“国产剧为女性准备的'温和良夜'，却是亦舒女郎们最不甘心就此滑落跌入的。比起命运与爱情，她们更相信自己。”
“我一直希望得到很多很多的爱，如果没有爱，很多钱也是好的”。
"荧幕上温良恭俭让的女性看多了，忘了不加掩饰的现实与世故，才是亦舒女郎的底色。"
"可是成长的第一步，不就是认清自己的需求吗？"
回归女性本位的叙事，未必强调女性的强大，但一定会解构男性的懦弱。
保持欲望，愿赌服输，这是亦舒女郎自我成就的命途。
“亦舒女郎，不是旧时代的道德靶子，也不是新时代的价值标杆。所谓的姿态，是不对人性抱有不合时宜的期待。
女性的处境，与其说是男人与女人之争，更确切地说是在顺人性与逆人性之间斗争。
在亦舒笔下声色犬马的欲望都市里，有男欢女爱，有现实道法。唯独没有的，是审判和答案。
《玫瑰的故事》里那些清醒到极致的句子
1、过去并不重要， 目前和将来才是最重要。
2、每个人的花期有限，不用的话就浪费了。
3、遵从自己的内心，怎么选都没错。
4、失去的东西，其实从来未曾真正的属于你，也不必惋惜。
5、幸福人生的终极密码：学会爱自己，才能得到真正的力量感。
6、不管是苦是甜，我只想往前看。
7、玫瑰的芬芳， 足以让悲伤的心灵也被其抚慰。
8、爱情是可遇不可求的幸福，而婚姻的支柱必须是爱情。
9、人们爱的是一些人， 与之结婚生子的又是另外一些人。
10、只要我还爱他，他就排第一。我爱你这三个字，重点在我字上。
11、女人如果对自己不狠心，男人对她们就会狠心。
12、失去的东西，其实从来未曾真正地属于你，也不必惋惜。
13、如果不是人们太爱玫瑰，它应该只艳不俗。
14、玫瑰多好啊，芳华无尽，花香自来。
15、每一天都比昨天更好，我相信会越来越好。
16、我已经认识她一辈子了，只是等到今天才碰到她而已。
17、有什么能力，就过什么日子。
18、他没本事，也没资格影响我。
19、人生苦短，一刹那的快乐，也就是快乐。
20、人人都爱玫瑰，有人喜欢玫瑰明艳，有人讨厌玫瑰带刺，不完美，又怎样。
21、人应该学会自我成长，自我成全，任何时候，都不要把自己笑的权利交给别人。
22、为爱执着，才是家；为执着而爱，只是钻牛角尖。
23、时间宝贵，先爱够了再说。万一你走之前，我已经不爱你了呢。
24、感情啊，它就像这幅画，虽然说我不懂，但我尊重你的表达。
25、从此， 世界在我面前展开， 指向我想去的任何地方。我完全，而绝对地，主持着我。
26、人要有做决定的勇气，也要有接受失败的勇气。
27、顿悟都是瞬间发生的， 但是在发生之前， 人总要经历很长时间的。 纠缠、拉扯、 自我怀疑， 但是一旦发生了，一切就变得不一样了。
It appears that she just lives through her stories with her men. At the closing of the drama she claims that she likes to keep growing without looking back. Yet as I see it, she didn't grow, her men did: 國棟 once gave up his lover for his career, and eventually figured out his woman was more important. 協文 over time became more reasonable as an ex-husband and more functional a father.
As well this drama doesn't work out well as a manifestation of feminism. Rose is talented and is from a good family for sure, yet there's nothing truly unusual about this, so to speak. What makes her unusual is only her beauty and she moves gracefully through life much due to this. Yet, this totally undermines the idea of feminism.
Her brother 振華 and 蘇蘇 form a more interesting couple and have a more meaningful story to offer.
In my opinions,
《夢》: 8.0
《風》: 9.0
《玫瑰》: 4.0
It needs to be said again that I watched 《玫瑰》 with a lot of fast forwarding, hence my view might not be fair.
感觉不到她在感情方面的成长
前面两个男的跟她分开后都一直单着，可能有时间反思吧，第二段看的比较细，没觉得方有长进
这段爱情会如何走下去呢。
有意思的是玫瑰生命中经历过的还活着的男人在剧情最后都会回来，依然恋恋不舍。从而让第四段爱情更加云淡风轻，可有可无。
一见钟情，缺乏对对方全面了解
第二段和方师兄认识了那么久，结婚还是很仓促
男演员第一眼都配不上天仙，就加重了不知道玫瑰为什么会那么爱的感觉
这个剧好看是因为女主漂亮，觉得不对也是因为女主漂亮，但是林青霞的剧就没这种感觉，琼瑶给她配的都是帅哥