短剧刚在中国出来的时候我看过3分钟。太吓人了。看了让人生理不适。但是作者的确也觉得主要原因还是现在好莱坞实在太拉垮了。 The verticals pose an obvious, if unnerving, question: Are we too dumb, too tasteless, and too impatient to enjoy what once passed for popular entertainment? The answer, I think, has more to do with cinema culture than with internet culture — Hollywood, after all, is no longer a reliable generator of metaphors for our current condition, which auteurs like Martin Scorsese and Steven Spielberg used to diagnose through big-budget motion pictures. Now, the big screen is governed by gate-keepers who seem not only preoccupied with rehashing the themes of the comic book’s golden age but also oblivious to the way the internet has fractured and atomized people into niche audiences, which are seeing their interests reflected in ever more specific newsletters, podcasts, and TikToks. If the movies are a narrowing vestige of the monoculture, then ReelShort is the app that shows what’s flourishing in its stead: a million self-selecting microcultures. “You read the comments on these Lifetime movies, and everyone is tearing them apart,” Herrmann told me. “‘The acting is horrible, the writing’s horrible,’ this and that, and you’re just like, Geez.” In contrast, he said, “you see a ReelShort project and the fans are so loving. Everyone
短剧刚在中国出来的时候我看过3分钟。太吓人了。看了让人生理不适。但是作者的确也觉得主要原因还是现在好莱坞实在太拉垮了。 The verticals pose an obvious, if unnerving, question: Are we too dumb, too tasteless, and too impatient to enjoy what once passed for popular entertainment? The answer, I think, has more to do with cinema culture than with internet culture — Hollywood, after all, is no longer a reliable generator of metaphors for our current condition, which auteurs like Martin Scorsese and Steven Spielberg used to diagnose through big-budget motion pictures. Now, the big screen is governed by gate-keepers who seem not only preoccupied with rehashing the themes of the comic book’s golden age but also oblivious to the way the internet has fractured and atomized people into niche audiences, which are seeing their interests reflected in ever more specific newsletters, podcasts, and TikToks. If the movies are a narrowing vestige of the monoculture, then ReelShort is the app that shows what’s flourishing in its stead: a million self-selecting microcultures. “You read the comments on these Lifetime movies, and everyone is tearing them apart,” Herrmann told me. “‘The acting is horrible, the writing’s horrible,’ this and that, and you’re just like, Geez.” In contrast, he said, “you see a ReelShort project and the fans are so loving. Everyone
不是你想要看的那种优秀短剧。
因为电影电视也弱智吧。
好莱坞现在票房最好的也是动画片吧，真人版电影也都不太行了
上次好电影我都不记得是啥时候了，震撼人心的那种。
好像是district 9. 嗯。电视还是，succession. 白莲花勉强第一步算OK。
真是彼一时啊。 （以前经典的别太多好吧！）
女孩都喜欢， 本质上 “傲慢与偏见” 这样得世界级名著股，”暮光之城”这样的流行小说 ， 都是霸道有钱的总裁爱上我。 谁不喜欢“傲慢与偏见”？
短剧要弱智一百倍。
霸道总裁爱上45+扫地大妈 哪个短剧是这个剧情？
发表于：2025-06-09 16:35|只看TA举报|字体大小：T|T15# 本质上 “傲慢与偏见” 这样得世界级名著股，”暮光之城”这样的流行小说 ， 都是霸道有钱的总裁爱上我。 谁不喜欢“傲慢与偏见”？
大妈要提高自己文化水平，不要整天忙着拉黑这个拉黑那个 傲慢与偏见就是一个通俗小说，暮光之城更是浅薄 世界名著是指卡拉马佐夫兄弟，追忆逝水年华，尤利西斯，百年孤独这样小说
现在规模还太小，一旦规模扩大，肯定就会被美国禁掉。。
类似于现在禁止中国资金对美国电影，媒体的投资，类似于美国对TT平台的打压。。。。
https://m.163.com/dy/article/JFE58PSH0528N3L3.html?spss=adap_pc
因为要有资本对别人高冷，对女主角却好得一塌糊涂才能满足普通女性观众的代入感
District 9是好电影，导演本来想拍续集的，后来取消了，美国在2010后的政治氛围让导演担心，尽管这电影故事发生在南非
你还别说，你让我想起我真有几个白男朋友们，他们也爱看。
（不过他们爱看的软萌可爱的20岁少女和总裁谈恋爱。 完全把自己带入了总裁角色~~~ 有个还是赵露思的粉。 ORZ。 世界的确全面下沉，降级了。
以前和美国人谈，大家喜欢的还都是巩皇这种。喜欢金庸武打，是即不理解又爱看。
现在喜欢的是杨超越，赵露思，这样的~~~嗯。 ）
你以为这些男人是傻逼吗？ 其实现实里都是很厉害的码农们~令人费解~~ ）.
我在网上看到一个评论，说有一个短剧，名字好像是“特朗普爱上了在白宫当保洁的我”。我没有确认过，不知道是不是真有一个这样的短剧。
虽然如此，但是现实生活中没有美队啊，ceo 还是很更多的。
看人家Jeff 世界首富都被离婚妇女所擒获。
再说都是抽精神鸦片，抽这牌子的要嘲笑抽那牌子的么？
因为现在国内的长剧其实就是注水的短剧，很多剧本逻辑上台词上真没法看，尤其是古偶。并且分不清他们的脸。当年看香蜜的惊艳没有了，陈情的欲说还休也没有了。在惨烈的所谓爱情，都可以当喜剧看。
现在n刷潜伏，士兵突击，剧本台词都极棒。
因为不费脑子，就好像肥宅水一样简单直接。我老公喜欢那种起点爽文，就是穿越成明朝太子改变中国发展方向，开始北美殖民的。他现实中是传统企业的高管。
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