The story behind Le Grand Prix du Faubourg Ugo Gattoni loves visual games, optical pile-ups. His extremely delicate, controlled hand and his whimsical spirit become the creators of abundant dream worlds where every corner conceals a surprise, a strange detail. “An oneiric race through a phantasmagorical Faubourg” aptly captures the spirit of the design. A fanciful profusion from which emerge architectural forms, advertising hoardings, stories and anecdotes from all the epochs of this Parisian street, where Hermès opened almost two centuries ago. Crowds surge around the bend of the Faubourg, colourful, festive, dynamic. Racing cyclists cheered on by the crowd, flying boats, Zeppelins and balloons occupy every inch of the scarf.
Into the Canadian Wild是我最喜欢的一个设计之一，很可惜限量版发行的时候楼主在外地，没法买到。 DESIGN HISTORY Canada is the second biggest country in the world by geographical area. Bounded by three oceans, this vast territory is watered by thousands of lakes. Its diverse fauna is protected in a host of national and regional parks, burgeoning with wildlife. This vivid evocation by Alice Shirley presents a swirling celebration of life, an explosion of colour. A majestic snowy owl – one of the symbols of the Québec region – soars amid the aurora borealis. Animals go about their daily lives by land and sea: polar and brown bears, salmon, narwhals, orcas and whales, stags, bison, bighorn sheep, caribou, snow geese, Canada geese, butterflies and owls are depicted in their habitats, among rushes, at the foot of a great sequoia, in the shade of a maple tree, surrounded by blue flax flowers, in the clear waters of a river... This carré is an ode to the natural world, a celebration of its inestimable value, and a testimony to the treasures of the Canadian wild.
De la Mer au Ciel by Laurence Bourthoumieux DESIGN HISTORY : Fish, like sea-butterflies, metamorphose to greet the sky.' With these words, Laurence Bourthoumieux describes her teeming, rippling composition of harmonious curves, their meandering forms evoking the ocean depths, and skies full of birds and butterflies. The design is – quite literally – a picture of metamorphosis in action, a vision of a world floating and flying free of gravity itself; a fluid, dreamlike world.
into the canadian wild 现在还买得到吗？ carcar 发表于 10/31/2018 4:05:04 PM
http://all-en.hermes.com/la-maison-des-carres/carre-twill-100-soie-90cm-into-the-canadian-wild-orange-ve-131112.html 这条是去年的款，买到的机会应该不算大。上面的连接有这条丝巾的全部套色和编号，可以联系客服让他们帮你在系统里找，有时候有些店会有一两条的存货, good luck!
Produced in collaboration with the Museum of Decorative Arts, this square is inspired by Chinese cloisonné from the Ming and Qing eras, the last two imperial dynasties, which had a great success among collectors in the early twentieth century. They belong for the most part to the museum archives. The so-called cloisonné technique consists of creating patterns with thin strips of metal placed on the field, forming networks that will be filled by the enamel. Floral and geometric motifs among which rises the horse, highly symbolic Chinese animal, often associated with the dragon. The extreme refinement of this composition pays tribute to the subtlety of this art.
The story behind La Maison des Carrés is a delightful, colourful, humorous account of the creation of an Hermès silk carré, from its initial inspiration to the point of sale, with a peek at the colouring and printing processes along the way. Here, too, are the house museum and its cabinet of curiosities (the inspiration for so many designs), the creative studio – that vital incubator of talent – and, last but not least, the actors who escort each carré on its great adventure, before it is tied at the neck, shoulders, waist or head of whoever chooses it.
The story behind Claude Monet, one of the Impressionist movement’s foremost exponents, moved with his family to Giverny in Normandy, in 1883. The garden he created there over many years was more than a source of inspiration – it was a work of art in its own right. Visiting in 1907, Marcel Proust wrote of the “delicate water lilies depicted by the master in sublime canvases for which this garden […] is a kind of living, preparatory sketch." Christine Henry was invited to this exceptional place, today the Museum of Impressionism, for the creation of this carré. Its composition is inspired not only by the infinitely rich colors of the garden’s flowers, but also by Monet’s carefully planned arrangement of forms, color harmonies, shadows and reflections. From the gentle curve of the Japanese garden’s bridges and the broad paths in the walled Normandy garden, to the soaring verticals of the bamboo and the delicate leaves of the weeping willow, motifs from the ceramics decorating Monet’s kitchen or kimonos evoking his fascination with Japanese art are surrounded by the geometry of flower beds and waterfalls. This carré is a tribute from the House of Hermès to an artist’s garden, and to the Foundation that ensures it lives on today.
谢谢MM，听MM这么说，MM肯定是大户了。140的暖和实用，但90的观赏性更高，价格这么高都冲着他家买就是喜欢他家特出的设计和印染去买的。象Into the Canadian Wild这种有纪念性的和图案十分复杂的，就不会出现在140的羊绒上了。90的放着看看也是视觉上的享受了，90的用丝巾扣就容易很多。
MM把九十的戴的那么好看，真是羡慕。我现在留的90的，都是舍不得转的。飞鱼那条，留了那年印封面的那个色。我也喜欢纪念版的，收了sand hill store opening 的两条Pegasus。最新的就是武士的90。不过大的小的现在都不太买了，加州用的不多。
谢谢MM，听MM这么说，MM肯定是大户了。140的暖和实用，但90的观赏性更高，价格这么高都冲着他家买就是喜欢他家特出的设计和印染去买的。象Into the Canadian Wild这种有纪念性的和图案十分复杂的，就不会出现在140的羊绒上了。90的放着看看也是视觉上的享受了，90的用丝巾扣就容易很多。
谢谢大家的点赞和鼓励，请勿引用，谢谢。
Ugo Gattoni loves visual games, optical pile-ups. His extremely delicate, controlled hand and his whimsical spirit become the creators of abundant dream worlds where every corner conceals a surprise, a strange detail. “An oneiric race through a phantasmagorical Faubourg” aptly captures the spirit of the design. A fanciful profusion from which emerge architectural forms, advertising hoardings, stories and anecdotes from all the epochs of this Parisian street, where Hermès opened almost two centuries ago. Crowds surge around the bend of the Faubourg, colourful, festive, dynamic. Racing cyclists cheered on by the crowd, flying boats, Zeppelins and balloons occupy every inch of the scarf.
图片好大呀，不好意思。
爱马仕丝巾近年出现了很多年轻化的设计，和连帽衫搭配一下。
DESIGN HISTORY Canada is the second biggest country in the world by geographical area. Bounded by three oceans, this vast territory is watered by thousands of lakes. Its diverse fauna is protected in a host of national and regional parks, burgeoning with wildlife. This vivid evocation by Alice Shirley presents a swirling celebration of life, an explosion of colour. A majestic snowy owl – one of the symbols of the Québec region – soars amid the aurora borealis. Animals go about their daily lives by land and sea: polar and brown bears, salmon, narwhals, orcas and whales, stags, bison, bighorn sheep, caribou, snow geese, Canada geese, butterflies and owls are depicted in their habitats, among rushes, at the foot of a great sequoia, in the shade of a maple tree, surrounded by blue flax flowers, in the clear waters of a river... This carré is an ode to the natural world, a celebration of its inestimable value, and a testimony to the treasures of the Canadian wild.
De la Mer au Ciel by Laurence Bourthoumieux DESIGN HISTORY : Fish, like sea-butterflies, metamorphose to greet the sky.' With these words, Laurence Bourthoumieux describes her teeming, rippling composition of harmonious curves, their meandering forms evoking the ocean depths, and skies full of birds and butterflies. The design is – quite literally – a picture of metamorphosis in action, a vision of a world floating and flying free of gravity itself; a fluid, dreamlike world.
这条的斜角线有紫蓝色，金色粉红色，玫瑰红橙色，折叠戴起来很丰富多样，别人以为我有三条不同的丝巾性。
把丝巾当披风穿，配蓝紫色大理石纹金边耳环。
谢谢MM，希望MM能早日找到所爱。
补两张细节图
爱家的丝巾除了颜色图案，质感也是棒棒的，怎么戴都显好。
谢谢Mm盛赞。
谢谢
谢谢。
我比较粗心大意又喜欢各种花花肠子，所以喜欢实用经济型。并没有固定在哪里买，看到价格合适又喜欢的就留下。一般在安家，forver21，ebay还有加拿大的Joe Fresh都能淘到比较合心意的。银色叶子和金色网纱闪珠都是在Joe Fresh 淘。
谢谢MM盛赞！
谢谢。
谢谢MM，不敢当。
谢谢你的赞美。
http://all-en.hermes.com/la-maison-des-carres/carre-twill-100-soie-90cm-into-the-canadian-wild-orange-ve-131112.html
这条是去年的款，买到的机会应该不算大。上面的连接有这条丝巾的全部套色和编号，可以联系客服让他们帮你在系统里找，有时候有些店会有一两条的存货, good luck!
谢谢，很开心你喜欢。
谢谢，互相学习，共同进步。
谢谢！
谢谢！
谢谢，一定会的，很开心你喜欢。
喜欢一层最后俩
谢谢MM，过奖了。
谢谢，MM一定是达人，好想看MM的收藏。
谢谢，收了要来分享噢。
谢谢MM。
Drawing by Catherine Baschet
Produced in collaboration with the Museum of Decorative Arts, this square is inspired by Chinese cloisonné from the Ming and Qing eras, the last two imperial dynasties, which had a great success among collectors in the early twentieth century. They belong for the most part to the museum archives. The so-called cloisonné technique consists of creating patterns with thin strips of metal placed on the field, forming networks that will be filled by the enamel. Floral and geometric motifs among which rises the horse, highly symbolic Chinese animal, often associated with the dragon. The extreme refinement of this composition pays tribute to the subtlety of this art.
很开心你看到了，谢谢你的留言。一楼那条是很好搭的，MM眼光很好呀，希望能看到MM如何搭配。
有山有水- 配搭包蓝色大理石纹吊链耳环。
The story behind
La Maison des Carrés is a delightful, colourful, humorous account of the creation of an Hermès silk carré, from its initial inspiration to the point of sale, with a peek at the colouring and printing processes along the way. Here, too, are the house museum and its cabinet of curiosities (the inspiration for so many designs), the creative studio – that vital incubator of talent – and, last but not least, the actors who escort each carré on its great adventure, before it is tied at the neck, shoulders, waist or head of whoever chooses it.
哈哈哈这条我还没戴过，完全不知道怎么carry, 用个丝巾扣会不会好点？lz能推荐一下系法吗？ ---发自Huaren 官方 iOS APP
The story behind
Claude Monet, one of the Impressionist movement’s foremost exponents, moved with his family to Giverny in Normandy, in 1883. The garden he created there over many years was more than a source of inspiration – it was a work of art in its own right. Visiting in 1907, Marcel Proust wrote of the “delicate water lilies depicted by the master in sublime canvases for which this garden […] is a kind of living, preparatory sketch." Christine Henry was invited to this exceptional place, today the Museum of Impressionism, for the creation of this carré. Its composition is inspired not only by the infinitely rich colors of the garden’s flowers, but also by Monet’s carefully planned arrangement of forms, color harmonies, shadows and reflections. From the gentle curve of the Japanese garden’s bridges and the broad paths in the walled Normandy garden, to the soaring verticals of the bamboo and the delicate leaves of the weeping willow, motifs from the ceramics decorating Monet’s kitchen or kimonos evoking his fascination with Japanese art are surrounded by the geometry of flower beds and waterfalls. This carré is a tribute from the House of Hermès to an artist’s garden, and to the Foundation that ensures it lives on today.
Hermes 有一套教怎么戴的Card，可以问SA拿一个，我有空再写怎么围丝巾。
谢谢，发挥你的创造力，发挥你的小宇宙！
好好好~ 等待围丝巾的帖子！！lz你是不是很久前有过一个收纳包包的帖子？我记得是一个个格子放得很整齐，还有各色毛球挂饰，我就跟风买了各种大小颜色的毛球。。
lz不介意引用图片吧
想问一下这个前面要怎么打结啊？
lz这些都是90*90的丝巾吧
谢谢谢谢，太过奖了。
谢谢MM的留言。
应该不是我，我喜欢收纳东西，但没有毛球。
很想看MM的收藏。
我发的都是90x90cm的丝巾。设定想要露出来的图案，简单折一个basic fold，调整想要露出来的图案，因为我想把山水这个图案显出来，但这个图案不是在正中心，而是偏的位置，折完basic fold后绕在脖子上就出现了长短明显的两个带子，然后象打红领巾一样打结，把短边藏在长边的下面。
谢谢MM夸奖，非常开心。
美!
MM的收藏肯定很丰富，看到路透2019SS有几条挺不错的。
谢谢！
好的，我有空来发。
谢谢MM，听MM这么说，MM肯定是大户了。140的暖和实用，但90的观赏性更高，价格这么高都冲着他家买就是喜欢他家特出的设计和印染去买的。象Into the Canadian Wild这种有纪念性的和图案十分复杂的，就不会出现在140的羊绒上了。90的放着看看也是视觉上的享受了，90的用丝巾扣就容易很多。
谢谢MM
谢谢MM，太过奖我了。
我都没机会见sand hill store opening 的Pegasus，MM可否赏我们看看？
[quote]
我都没机会见sand hill store opening 的Pegasus，MM可否赏我们看看？
这款真是太美。
我也不是什么达人，MM不嫌弃的话，我有空发上来。
谢谢MM，链接有Into the Canadian Wild各色的货号，可以跟SA联系，他们的电脑系统应该能看到全国各地的存货，祝MM好运能找到中意的丝巾。
http://all-en.hermes.com/la-maison-des-carres/carre-twill-100-soie-90cm-into-the-canadian-wild-orange-ve-131112.html
谢谢MM，丝巾的功劳。