I got my rod that was leaning against the tree, took the bait-can and landing-net, and walked out onto the dam. It was built to provide a head of water for driving logs. The gate was up, and I sat on one of the squared timbers and watched the smooth apron of water before the river tumbled into the falls. In the white water at the foot of the dam it was deep. As I baited up, a trout shot up out of the white water into the falls and was carried down. Before I could finish baiting, another trout jumped at the falls, making the same lovely arc and disappearing into the water that was thundering down. I put on a good-sized sinker and dropped into the white water close to the edge of the timbers of the dam.
I did not feel the first trout strike. When I started to pull up I felt that I had one and brought him, fighting and bending the rod almost double, out of the boiling water at the foot of the falls, and swung him up and onto the dam. He was a good trout, and I banged his head against the timber so that he quivered out straight, and then slipped him into my bag.
While I had him on, several trout had jumped at the falls. As soon as I baited up and dropped in again I hooked another and brought him in the same way. In a little while I had six. They were all about the same size. I laid them out, side by side, all their heads pointing the same way, and looked at them. They were beautifully colored and firm and hard from the cold water. It was a hot day, so I slit them all and shucked out the insides, gills and all, and tossed them over across the river. I took the trout ashore, washed them in the cold, smoothly heavy water above the dam, and then picked some ferns and packed them all in the bag, three trout on a layer of ferns, then another layer of ferns, then three more trout, and then covered them with ferns. They looked nice in the ferns, and now the bag was bulky, and I put it in the shade of the tree.
Note: This work is entering the public domain, so there is no copyright issue.
Comments (from the internet)
Hemingway's style was semi-revolutionary. He stripped away everything he didn't need from a sentence or paragraph and brought it down to the bare bones. There, he was able to create a new way of writing dialogue and descriptions that got to the heart of the story much quicker.
One of the main features of Hemingway’s style is his use of short, one, or two-syllable words. The words are easy to understand but when strung together they can create skillful images and lines of dialogue. He also chose to do away with extraneous adverbs and always chose the simpler word over the harder word. The latter is part of the reason why readers often feel as though Hemingway’s characters speak like real people.
Excerpt from Hemingway’s novel The Sun Also Rises
I got my rod that was leaning against the tree, took the bait-can and landing-net, and walked out onto the dam. It was built to provide a head of water for driving logs. The gate was up, and I sat on one of the squared timbers and watched the smooth apron of water before the river tumbled into the falls. In the white water at the foot of the dam it was deep. As I baited up, a trout shot up out of the white water into the falls and was carried down. Before I could finish baiting, another trout jumped at the falls, making the same lovely arc and disappearing into the water that was thundering down. I put on a good-sized sinker and dropped into the white water close to the edge of the timbers of the dam.
I did not feel the first trout strike. When I started to pull up I felt that I had one and brought him, fighting and bending the rod almost double, out of the boiling water at the foot of the falls, and swung him up and onto the dam. He was a good trout, and I banged his head against the timber so that he quivered out straight, and then slipped him into my bag.
While I had him on, several trout had jumped at the falls. As soon as I baited up and dropped in again I hooked another and brought him in the same way. In a little while I had six. They were all about the same size. I laid them out, side by side, all their heads pointing the same way, and looked at them. They were beautifully colored and firm and hard from the cold water. It was a hot day, so I slit them all and shucked out the insides, gills and all, and tossed them over across the river. I took the trout ashore, washed them in the cold, smoothly heavy water above the dam, and then picked some ferns and packed them all in the bag, three trout on a layer of ferns, then another layer of ferns, then three more trout, and then covered them with ferns. They looked nice in the ferns, and now the bag was bulky, and I put it in the shade of the tree.
Note: This work is entering the public domain, so there is no copyright issue.
Comments (from the internet)
Hemingway's style was semi-revolutionary. He stripped away everything he didn't need from a sentence or paragraph and brought it down to the bare bones. There, he was able to create a new way of writing dialogue and descriptions that got to the heart of the story much quicker.
One of the main features of Hemingway’s style is his use of short, one, or two-syllable words. The words are easy to understand but when strung together they can create skillful images and lines of dialogue. He also chose to do away with extraneous adverbs and always chose the simpler word over the harder word. The latter is part of the reason why readers often feel as though Hemingway’s characters speak like real people.
这里有一个新的说法：
I sat on one of the squared timbers and watched the smooth apron of water before the river tumbled into the falls.
他说水围裙是不是可以理解为水的波纹？
Ah. I was wrong. Here found the
Definition of water apron
https://encyclopedia2.thefreedictionary.com/Water+Apron
：）
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